The triple paradiddle expands on the single paradiddle by adding two sets of singles to its basic shape. Since the single paradiddle is one of the drum rudiments that’s most used for drum set applications, practicing the triple paradiddle will empower you with loads of new options when it comes to creating new ideas based on the single paradiddle. In this free drum lesson, Jared Falk teaches you how to acquire speed with the triple paradiddle while working through different groove and fill ideas. This is a great way to keep you motivated with drum rudiments since you’ll be playing on the drum set and working on applicable and musical patterns.
The triple paradiddle is one of the 40 international drum rudiments since 1984. The Percussive Arts Society (P.A.S.) was responsible for its inclusion as a standard rudiment after settling on the expansion of the 26 drum rudiments with orchestral, drum corps, European, and contemporary drum rudiments. Before going any further with this free drum lesson, we highly recommend that you learn to play the triple paradiddle accurately and on a single surface. To do so, check the free drum lesson on the triple paradiddle that Lionel Duperron put together for you.
Paradiddle-based rudiments are great for improving the drumming motions. They include full strokes, down strokes, up strokes, and tap strokes. Therefore, they’re killer for enhancing your hand-technique fundamentals.
If have already learned to play all other paradiddle-based rudiments, like the double paradiddle and the paradiddle-diddle, we highly encourage you to check the free drum lesson on the dragadiddle #2, next. You see, the dragadiddle #2 is actually a variation of the triple paradiddle. They share the same sticking pattern, only the dragadiddle #2 has doubles instead of singles on the second and forth notes.
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Wow! This paradiddles tuitor is very educating, at least ive gained and learnt a lot today. Thanks
I have a drumming question for you. I am in a church band and we are all a bunch of rookies. Every time the bass player hits a E flat my snares make a very audible ring. I have tried tightening the snares, which helps, but does not stop the buzzing. I also don’t like the way it makes the drum sound when I play. I have also heard of tightening the four lugs near the snare on the rezo head. That did nothing. We built a stage for the drums in the back of the stage thinking that would help, but nothing. I am on the opposite side of the stage as the bass player and his stack. People in the audience have asked me about the buzz so I know its not just the band hearing it.
Please help us out.
Well the best way to stop it is to have your drum behind the bass ampli
Your lower head is tuned to e flat, crank it up to e or f or fis. Upper head too.
Snare will sound better and will less resonate.
love it ^^
*ATT: Jared Falk: Hi, I have been playing drums for over ten years and I really enjoy your videos. you are very clear and you try to cater to everyone. I personally gained a lot of knolge and tips from your videos even though I do not use the same heads or cymbals but I still have learned how to tune, set up, and play! Also I would like to compelment you. You are a very very good drummer, and you got a nice set! And I love you tee shirts it gives a cool look to every lesson !!!!!! Thank you so much!!! From your freind Rimpy!!!
hi,my name is jacob and im fixing to get a drumset and I don’t know what kind of drumset to get.I like pearl but,I dont know if thats the one.What kind of sticks do i need to get im thinking maple 8ND.But i want some advice.I would like to play country songs in a band.