TOUGHEST GENRE
#1
Posted 18 September 2011 - 03:12 PM
AND THEN WHAT TO CHOOSE IN AN INTERMEDIATE LEVEL???
#2
Posted 18 September 2011 - 03:16 PM
I think a beginner should start with whatever genre they enjoy hearing the most. No point drumming to jazz music first if all you listen to is rock music.
#3
Posted 18 September 2011 - 05:03 PM
#4
Posted 18 September 2011 - 05:51 PM
It's the same with jazz. Anyone can play basic swing tunes, but Weckl style fusion takes years to master.
Figure out what you want to play, then work up to it.
#5
Posted 18 September 2011 - 05:58 PM
#6
Posted 18 September 2011 - 06:12 PM
JBoom, on 18 September 2011 - 05:58 PM, said:
At least he is consistent. He has been yelling since day 1. I just figured he was a loud guy. I picture him shouting in front of the keyboard.
#7
Posted 18 September 2011 - 06:42 PM
The Lesson: Don't believe everything you hear from somebody, especially when their conduct disproves it.
#8
Posted 18 September 2011 - 06:42 PM
osirus211, on 18 September 2011 - 06:12 PM, said:
He is also very curious. DON'T YOU THINK??????
#10
Posted 19 September 2011 - 07:33 AM
osirus211, on 18 September 2011 - 07:08 PM, said:
Obviously, the 6th question mark means I'm running around in circles, flapping my arms up and down to make sure everyone knows just how badly I want an answer.
#11
Posted 19 September 2011 - 09:05 AM
FourPieceMetal, on 18 September 2011 - 06:42 PM, said:
I disagree about metal being the hardest speed wise, I think be-bop/jazz takes the cake for the toughest genre all around. I mean you have jazz guys like Art Blakey hitting 400 bpm and comping the head and then cats like Ari Hoenig who can play the melody to Anthropology on his snare drum, the pitches and everything. I think that if you learn to play jazz really well you will be able to play just about anything that you want. I mean look at guys like Mike Mangini, Jon Karel, Jojo Mayer, Dennis Chambers, and Kim Plainfeild. They all studied jazz and they are all amazing at anything they try and do. And not only does jazz have speed but it also requires a lot of coordination, more so than metal in my opinion. But apart from rhythmic stuff if you learn to play jazz you're going to pick up a lot of harmonic and melodic ideas too.
youtube.com/user/JPeaseDrums
#12
Posted 19 September 2011 - 09:19 AM
The Lesson: Don't believe everything you hear from somebody, especially when their conduct disproves it.
#13
Posted 19 September 2011 - 09:26 AM
FourPieceMetal, on 19 September 2011 - 09:19 AM, said:
You might want to check out Louie Bellson - jazz drummer born in 1924.
Double bass isn't all that new or just for rock/metal. IMO the problem with DB in metal is it is over-used which defeats the purpose of using it at all. It is no longer interesting, exciting, or provides an accent. It becomes tedious and monotonous. But like you said, to each his/her own.
#14
Posted 19 September 2011 - 09:32 AM
Poco Askew, on 19 September 2011 - 09:26 AM, said:
Double bass isn't all that new or just for rock/metal. IMO the problem with DB in metal is it is over-used which defeats the purpose of using it at all. It is no longer interesting, exciting, or provides an accent. It becomes tedious and monotonous. But like you said, to each his/her own.
I was going to say Belson, Woodyard, Shawn, and acouple of others, but you beat me to it.
realscotch aka drummer 1910
#16
Posted 19 September 2011 - 04:41 PM
hellacool, on 19 September 2011 - 09:05 AM, said:
Jazz *does* hit higher tempos, for sure, but it's not nearly as physical. I cant really say I've ever seen a jazz drummer do a blast at 260 for 3 minutes straight, but I've seen metal players do it. I've also never seen a jazz drummer play any fast double kick.
Jazz is more difficult mentally, wrapping your head around the dynamics and such; but metal is WAY more difficult physically. Some metal is stupid hard mentally as well, all those bloody Djent bands
On bones of democracy they yearn to gnaw
Every morsel of fact washed away in the flood
Of innocent tears and innocent blood
#17
Posted 19 September 2011 - 04:49 PM
abacacus, on 19 September 2011 - 04:41 PM, said:
Why are people so impressed by fast double bass? It's just ONE aspect of drumming but everyone thinks that its SO amazing when a drummer can play fast kicks. You're essentially saying that a drummer who chooses NOT to play any dynamics on the hi-hat has a more difficult job because he has to stomp both feet on the same instrument? That doesn't make much sense to me.
Don't get me wrong, it is in fact an important aspect of drumming, but again.. one of many.
#18
Posted 19 September 2011 - 05:15 PM
osirus211, on 19 September 2011 - 04:49 PM, said:
Don't get me wrong, it is in fact an important aspect of drumming, but again.. one of many.
Coming from someone who REALLY enjoys and appreciates double bass, I think I have the answer. lol. The reason people are so impressed with intense fast double bass is for two reasons. One: The bass drum is the 'heartbeat', so to say, in a songs' drum track. So to hear it constantly just feels awesome, and it leaves you wondering How did he do that?! And two: It just plain sounds cool. I'll bet you, get some drum tracks with people playing 200 bpm 16th notes. . .on the snare. . . and people will think it's just as awesome. It's just the fact that the speed can be attained. I remember how I felt when I saw myself clocking in at 215 bpm 16th notes with ease. Felt DANG GREAT! It's a goal that feels and looks cool. There can't be much more to it than that.
The Lesson: Don't believe everything you hear from somebody, especially when their conduct disproves it.
#19
Posted 19 September 2011 - 07:09 PM
#20
Posted 19 September 2011 - 07:23 PM

















